Posts Tagged ‘FESPA’

  • Currie Group service headlines Print21 mag

    The latest issue of Print21 magazine is out now, featuring an in-depth look at the science of colour, a tour of FESPA 2018 in Berlin, profiles of industry identities, and more.

    This month’s cover features the Currie Care Centre, Currie Group’s way of ensuring its customers receive world-class service long after the techs have got their new machines up and running. Marcus Robinson, service manager for Australia and New Zealand at Currie Group, believes Currie Care works for printers. “From a helicopter point of view I believe we’re the largest across the industry in end-to-end service. We have such a plethora of service offerings,” he said.

    From Berlin, Nessan Cleary reports on a FESPA show that turned its attention towards industrial markets. “Conventional wisdom has it that large-format printing is mainly about sign making and display graphics, but wide-format inkjet technology is pushing beyond this, which was abundantly clear at this year’s main FESPA event in Berlin, Germany,” he writes.

    Colour management can be one of the fiddlier parts of any printer’s process. Fortunately Andy McCourt is on hand with a three-page feature on accurately measuring and controlling your colour. “A properly-managed closed-loop colour workflow where the process is strictly followed to produce predictable and repeatable colour is readily achievable,” he assures.

    In a pair of printing industry profiles, Patrick Howard speaks to Andrew Macaulay, CEO PIAA, on the turnaround in Printing Industries over the last few years; and to Mitch Mulligan of Bottcher on the 20th anniversary of the supplier setting up shop in Australia.

    All this plus a deep dive into benchtop UV printing, Australia’s second KM-1 digital press, a slew of new equipment installs, and all the news that’s fit about print make this issue of Print21 magazine a great way to while away those winter blues. Check it out here!

    To subscribe to our print edition, go here or email

  • FESPA Berlin – Nessan Cleary’s in-depth report

    Messe Berlin, site of Fespa 2018.

    Fespa has always been about wide format printing but this year’s show saw high volume printers mixed with industrial textile printers and even corrugated printing.

    Conventional wisdom has it that large format printing is mainly about sign making and display graphics but wide format inkjet technology is pushing beyond this, which was abundantly clear at this year’s main Fespa event in Berlin, Germany. Of course, there was still plenty of sign making in evidence, but there was a renewed focus on taking this to high volume industrial markets, including corrugated printing, and alongside noticeably more clothing and home furnishings solutions.

    There was a growing use of robotics for automated loading and unloading of substrates. Most robots are designed for industrial applications so they offer long life with little maintenance, which makes for a very flexible and cost-effective solution, even taking into account the cost of integrating the control systems to synchronise the loading with the printing. Canon, for example, demonstrated a robot next to an Arizona flatbed loading media to the printer and then unloading it direct to an Océ ProCut cutting table. The system was developed with a Dutch customer, Van Vliet Printing, but is relatively easy to interface with the Arizona.

    This robot on the Canon stand loads media to the Arizona flatbed, and then unloads it to the cutting table.

    Fespa set aside one hall for corrugated printing, with the main attraction being the Fujifilm stand with an Onset X3 complete with robot for automated unloading. Ashley Playford, national sales manager for Fujifilm Australia says that a big advantage of using robots is that they can handle different stack heights regardless of how thick the material is. There’s a choice of robots depending on what each customer is trying to achieve.

    From left: Ashley Playford, national sales manager Fujifilm Australia, and Graham Blackall, ANZ technical sales specialist, with the Fujifilm Acuity Ultra.

    Naturally, several vendors used the show to launch new printers, mainly 3.2m wide machines aimed at the production end of the market. Fujifilm showed off its brand new superwide rollfed printer, the Acuity Ultra, with a choice of 3.2m and 5m widths. It can print on up to three rolls simultaneously, with independent spindles so that the rolls can hold different amounts of media. It can produce up to 236 sqm/hr. It uses greyscale Kyocera printheads with 3, 7 and 14 picolitre drop sizes and maximum resolution of 1200 x 1200 dpi, with the prints on the stand demonstrating exceptional image quality for a superwide printer. Graham Blackall, ANZ technical sales specialist for Fujifilm, says: “There’s a lot of high volume machines in the market but the market is becoming more discerning about quality now and just being ‘good enough’ is no longer good enough.”

    It uses conventional UV curing rather than LED, but has an innovative water-cooling system on the vacuum table so that it can still print to heat-sensitive materials. Blackall says that the printer can handle textiles, with soft signage becoming an emerging market, and that it can also print to mesh materials. There are eight colour channels including CMYK plus light cyan and light magenta, as well as two whites. The ink is a new, high-quality, low film weight Uvijet GS Fujifilm ink that is said to be suitable for interior graphic display work.

    EFI introduced its new 3.2m wide Vutek H-series platform. It’s a hybrid designed around a roll to roll chassis and with tables for rigid media. However, there is a new linear drive magnetic carriage that should offer a more precise transport mechanism for boards than the belt and pulley system that most hybrids use. There’s automated table and carriage alignment and fully automated printhead maintenance as well as built-in diagnostic systems for dealing to help with servicing, both remote and on-site.

    There are two versions, both using Ricoh Gen5 printheads with three different drop sizes of 7, 14 and 21 picolitres. The H3 series have three heads per colour and can produce 74 boards per hour, while the H5 have five heads per colour and print 109bph.

    Agfa announced a new hybrid 3.3m wide printer, the Jeti Tauro H3300 LED, which takes boards up to 3.3 x 2.44m or roll media up to 600mm in diameter. There’s a choice of two inksets: the general purpose Annuvia 1551, and Anuvia 1250, for absorbent media, such as paper and cardboard. Strangely, the company opted to show a tiny lego model rather than the actual printer!

    Mutoh answered customer demands by showing off its first true flatbed printer, the PerformanceJet 2508UF, which takes boards up to 1250 x 2540 mm and can handle media up to 100 mm thick and up to 50 Kg/ sqm in weight. The bed is split into different vacuum zones. This is a UV LED printer that can be configured with either two sets of CMYK or CMYK plus white and varnish. It uses four greyscale printheads but can be field-upgraded to six heads, for dual CMYK plus white and varnish.

    Mutoh also showed off a new 1.62m wide roll-to-roll device, the ValueJet 1638UR. Resolution is up to 1400 x 1400 dpi and it takes Mutoh’s new US11 UV LED ink that’s designed to work with a very wide range of substrates. It prints CMYK plus white and clear ink.

    Latex reinvented

    HP used the Fespa show to launch its first rigid latex printer, the R2000, complete with HP’s first latex white ink. The R2000 is a hybrid device, taking both roll-fed and rigid media up to 2.5m wide media and 50mm thick, and rolls up to 100kg. It has a wide platen, with 14 automatic independent vacuum chambers to hold boards in place. It uses a belt system to pull the media through the printer but has an optical sensor that watches as the media advances and can correct the movement of that media. It can print at up to 88 sqm/hr or 49 sqm/hr in six-pass mode.

    HP launched its R2000 hybrid, capable of printing to rigid materials.

    The latex ink has been completely redesigned to work with rigid materials as well as flexibles. It cures at a lower temperature which allows this printer to work with more heat sensitive materials than HP’s previous latex printers. HP has had to take out the scratch resistance built into its roll-fed inks to improve the jetting so there’s a new Latex Overcoat to help protect prints.

    HP has used the HDNA printheads from its PageWide presses, which have twice the number of nozzles with the extra row of nozzles used to recirculate the ink within the head. This is essential for printing with white ink as the heavier particles can settle in the bottom of the tanks or clog the heads.

    Ricoh is also working on a new latex printer, showing a prototype of a new roll-fed model at Fespa, which should be available towards the end of this year. Unlike Ricoh’s previous latex printer, which was built on a Mimaki chassis, this has been developed entirely by Ricoh. Angelo Mandelli, wide format product manager for Ricoh Europe, says that it can print at 40 sqm/hr in six pass mode on banner materials and at 25 sqm/hr for production quality on vinyl. It prints CMYK plus white for now but Mandelli says that Ricoh will probably add orange and green to expand the colour gamut.

    Ricoh is clearly making a much more decisive play for the wide format market, showing also a new flatbed printer, the Ricoh Pro T7210, which is mainly aimed at industrial printing markets. It takes media up to 2.1 × 3.2 metres, and up to 110mm thick. It’s capable of 50sqm/hr in Standard mode, which doubles to 100 sqm/hr in the high-speed mode. Resolution is 1200 dpi and the ink is Ricoh’s own LED UV-curable ink with a choice of four, five or six colours with the full inkset including CMYK plus white and a clear ink or varnish as well as a primer. 

    Paul Thompson, business development manager ANZ for DTG and visual display solutions at Ricoh Australia, says that much of the print industry, including large format, has become commoditised by focussing on price but that Ricoh is concentrating on adding value. He points out that Ricoh makes its own printheads and supplies heads to many other vendors, adding: “We see that inkjet is the future and that if we get it at the right quality and cost then it will make inroads in other areas.”

    An obvious example of this is the growing textiles market. Ricoh showed off a neat desktop direct to garment printer, the Ri100, which can print various items such as T-shirts, cloth bags, cushion covers and sweatshirts. It prints mainly to cotton, including blends of up to 50 percent cotton. There’s an option to include a separate heat press, the Ricoh Rh 100 Finisher, which has the same 399 x 698 mm footprint so that the printer can be stacked on top of it.

    Ricoh’s Ri100 – note the RH100 finishing unit underneath it.

    EFI Reggiani has developed a new six colour pigment ink with binder with CMYK plus red and blue for its printers, which are mainly used for home furnishing and fashion printing to materials with natural fibres such as cotton and linen. Giorgio Sala, EFI Reggiani’s ink application specialist, says: “We can eliminate the post treatment. In the drier we can fix the ink because the binder is inside the ink.” He adds: “The new ink is designed for Kyocera printheads, which all of our machines have, so we can use it with the existing machines.”

    Mimaki showed off a new version of the Tiger 1800, which was developed by its subsidiary La Meccanica and now gains a number of features typical to Mimaki printers, such as its MAPS nozzle redundancy technology as well as automated maintenance. It’s got Kyocera printheads, with the resolution raised from 600dpi to 1200 dpi.

    In conclusion, there’s a clear trend from this Fespa toward more industrialised printing for volume markets including display graphics as well as garments and home furnishings. There’s more automation, including the use of robots, as well as automatic maintenance to improve productivity, while at the same time most vendors have also improved image quality. The show itself felt extremely busy, with over 20000 visitors crammed into the halls over four days, proof that the market for wide format technology shows no sign of slowing down.

    Next year’s Fespa show takes place in Munich, Germany, from 14 – 17th May.

  • Rapid delivers Aussie label print innovation to Europe

    Local narrow web digital label print equipment manufacturer, Rapid Label Systems, is delivering Australian home grown innovation to Europe following its showing at FESPA 2013 in London last month.

    The Rapid X1 desktop and X2 floor-standing presses, which are built around the locally-developed Memjet printhead technology, were exhibited by Impression Technology Europe (ITE), Rapid’s European master distributor.

    For Nick Mansell (pictured), Rapid director and recipient of the inaugural Print21 Graphic Arts Technology Innovator of the Year Award (GATI), despite FESPA’s wide format and signage flavour, there was a ready market for the company’s wares.

    “FESPA may be primarily a wide-format signage and display event, but many owners of wide format printer-cutters are producing short runs of labels on self-adhesive materials,” says Mansell. “As volume builds up, this solution can be very slow so taking label production onto a dedicated narrow-web inkjet digital machine such as our X1 or X2 can free up the wide format machines to do what they do best.

    “Adding the Rapid D2 laminator/die-cutter and R2 rewinder yields a complete inline system and a whole new profit centre in a growth market, for very little investment,” he says.

    ITE managing director, Roy Burton, who’s company distributes the Rapid equipment in Europe, says the X1 and the X2 have always garnered lots of attention from the punters at the trade shows in which they have appeared.

    “ITE has exhibited Rapid X label presses at several major trade shows since Ipex 2010 and every time, people are amazed at the quality and productivity from such small footprint label equipment,” says Burton. “FESPA was no exception and we believe we have secured orders as a result. We now look forward to September’s Label Expo in Brussels where we welcome all label printers big and smaller to our stand.”

    Additionally, Rapid Label Systems’ RapidX equipment will be on display at Packaging Innovations, London in October and Ipex, London in March 2014. On top of the company’s European exposure, it also opened a China office in 2011 to capture the growing market in the Asia region.

    “Our global distribution is growing and we have now established Rapid Asia in Hong Kong to service the demand from this region,” says Mansell. “We already have distributors in Japan and Korea and our partners Impression Technology Americas are taking on the North American market. From a standing start in 2010, we have now shipped just over 200 machines.”

    Rapid Label Systems was one of the earliest adopters of the breakthrough Memjet printhead technology, which was developed in Australia by Silverbrook Research – headed up by one of the world’s most prolific patent holders, Kia Silverbrook. With the Memjet print head technology on board, the Rapid X1 and X2 digital label presses can manage ultra-fine one picolitre droplets at either 1600 x 1600dpi or 800 x 1600dpi for the higher speed of 18 linear metres per minute. The Memjet inks are also water-based and safe for use on food, beverage and pharmaceutical packaging.