Posts Tagged ‘wide-format’

  • FESPA Berlin – Nessan Cleary’s in-depth report

    Messe Berlin, site of Fespa 2018.

    Fespa has always been about wide format printing but this year’s show saw high volume printers mixed with industrial textile printers and even corrugated printing.

    Conventional wisdom has it that large format printing is mainly about sign making and display graphics but wide format inkjet technology is pushing beyond this, which was abundantly clear at this year’s main Fespa event in Berlin, Germany. Of course, there was still plenty of sign making in evidence, but there was a renewed focus on taking this to high volume industrial markets, including corrugated printing, and alongside noticeably more clothing and home furnishings solutions.

    There was a growing use of robotics for automated loading and unloading of substrates. Most robots are designed for industrial applications so they offer long life with little maintenance, which makes for a very flexible and cost-effective solution, even taking into account the cost of integrating the control systems to synchronise the loading with the printing. Canon, for example, demonstrated a robot next to an Arizona flatbed loading media to the printer and then unloading it direct to an Océ ProCut cutting table. The system was developed with a Dutch customer, Van Vliet Printing, but is relatively easy to interface with the Arizona.

    This robot on the Canon stand loads media to the Arizona flatbed, and then unloads it to the cutting table.

    Fespa set aside one hall for corrugated printing, with the main attraction being the Fujifilm stand with an Onset X3 complete with robot for automated unloading. Ashley Playford, national sales manager for Fujifilm Australia says that a big advantage of using robots is that they can handle different stack heights regardless of how thick the material is. There’s a choice of robots depending on what each customer is trying to achieve.

    From left: Ashley Playford, national sales manager Fujifilm Australia, and Graham Blackall, ANZ technical sales specialist, with the Fujifilm Acuity Ultra.

    Naturally, several vendors used the show to launch new printers, mainly 3.2m wide machines aimed at the production end of the market. Fujifilm showed off its brand new superwide rollfed printer, the Acuity Ultra, with a choice of 3.2m and 5m widths. It can print on up to three rolls simultaneously, with independent spindles so that the rolls can hold different amounts of media. It can produce up to 236 sqm/hr. It uses greyscale Kyocera printheads with 3, 7 and 14 picolitre drop sizes and maximum resolution of 1200 x 1200 dpi, with the prints on the stand demonstrating exceptional image quality for a superwide printer. Graham Blackall, ANZ technical sales specialist for Fujifilm, says: “There’s a lot of high volume machines in the market but the market is becoming more discerning about quality now and just being ‘good enough’ is no longer good enough.”

    It uses conventional UV curing rather than LED, but has an innovative water-cooling system on the vacuum table so that it can still print to heat-sensitive materials. Blackall says that the printer can handle textiles, with soft signage becoming an emerging market, and that it can also print to mesh materials. There are eight colour channels including CMYK plus light cyan and light magenta, as well as two whites. The ink is a new, high-quality, low film weight Uvijet GS Fujifilm ink that is said to be suitable for interior graphic display work.

    EFI introduced its new 3.2m wide Vutek H-series platform. It’s a hybrid designed around a roll to roll chassis and with tables for rigid media. However, there is a new linear drive magnetic carriage that should offer a more precise transport mechanism for boards than the belt and pulley system that most hybrids use. There’s automated table and carriage alignment and fully automated printhead maintenance as well as built-in diagnostic systems for dealing to help with servicing, both remote and on-site.

    There are two versions, both using Ricoh Gen5 printheads with three different drop sizes of 7, 14 and 21 picolitres. The H3 series have three heads per colour and can produce 74 boards per hour, while the H5 have five heads per colour and print 109bph.

    Agfa announced a new hybrid 3.3m wide printer, the Jeti Tauro H3300 LED, which takes boards up to 3.3 x 2.44m or roll media up to 600mm in diameter. There’s a choice of two inksets: the general purpose Annuvia 1551, and Anuvia 1250, for absorbent media, such as paper and cardboard. Strangely, the company opted to show a tiny lego model rather than the actual printer!

    Mutoh answered customer demands by showing off its first true flatbed printer, the PerformanceJet 2508UF, which takes boards up to 1250 x 2540 mm and can handle media up to 100 mm thick and up to 50 Kg/ sqm in weight. The bed is split into different vacuum zones. This is a UV LED printer that can be configured with either two sets of CMYK or CMYK plus white and varnish. It uses four greyscale printheads but can be field-upgraded to six heads, for dual CMYK plus white and varnish.

    Mutoh also showed off a new 1.62m wide roll-to-roll device, the ValueJet 1638UR. Resolution is up to 1400 x 1400 dpi and it takes Mutoh’s new US11 UV LED ink that’s designed to work with a very wide range of substrates. It prints CMYK plus white and clear ink.

    Latex reinvented

    HP used the Fespa show to launch its first rigid latex printer, the R2000, complete with HP’s first latex white ink. The R2000 is a hybrid device, taking both roll-fed and rigid media up to 2.5m wide media and 50mm thick, and rolls up to 100kg. It has a wide platen, with 14 automatic independent vacuum chambers to hold boards in place. It uses a belt system to pull the media through the printer but has an optical sensor that watches as the media advances and can correct the movement of that media. It can print at up to 88 sqm/hr or 49 sqm/hr in six-pass mode.

    HP launched its R2000 hybrid, capable of printing to rigid materials.

    The latex ink has been completely redesigned to work with rigid materials as well as flexibles. It cures at a lower temperature which allows this printer to work with more heat sensitive materials than HP’s previous latex printers. HP has had to take out the scratch resistance built into its roll-fed inks to improve the jetting so there’s a new Latex Overcoat to help protect prints.

    HP has used the HDNA printheads from its PageWide presses, which have twice the number of nozzles with the extra row of nozzles used to recirculate the ink within the head. This is essential for printing with white ink as the heavier particles can settle in the bottom of the tanks or clog the heads.

    Ricoh is also working on a new latex printer, showing a prototype of a new roll-fed model at Fespa, which should be available towards the end of this year. Unlike Ricoh’s previous latex printer, which was built on a Mimaki chassis, this has been developed entirely by Ricoh. Angelo Mandelli, wide format product manager for Ricoh Europe, says that it can print at 40 sqm/hr in six pass mode on banner materials and at 25 sqm/hr for production quality on vinyl. It prints CMYK plus white for now but Mandelli says that Ricoh will probably add orange and green to expand the colour gamut.

    Ricoh is clearly making a much more decisive play for the wide format market, showing also a new flatbed printer, the Ricoh Pro T7210, which is mainly aimed at industrial printing markets. It takes media up to 2.1 × 3.2 metres, and up to 110mm thick. It’s capable of 50sqm/hr in Standard mode, which doubles to 100 sqm/hr in the high-speed mode. Resolution is 1200 dpi and the ink is Ricoh’s own LED UV-curable ink with a choice of four, five or six colours with the full inkset including CMYK plus white and a clear ink or varnish as well as a primer. 

    Paul Thompson, business development manager ANZ for DTG and visual display solutions at Ricoh Australia, says that much of the print industry, including large format, has become commoditised by focussing on price but that Ricoh is concentrating on adding value. He points out that Ricoh makes its own printheads and supplies heads to many other vendors, adding: “We see that inkjet is the future and that if we get it at the right quality and cost then it will make inroads in other areas.”

    An obvious example of this is the growing textiles market. Ricoh showed off a neat desktop direct to garment printer, the Ri100, which can print various items such as T-shirts, cloth bags, cushion covers and sweatshirts. It prints mainly to cotton, including blends of up to 50 percent cotton. There’s an option to include a separate heat press, the Ricoh Rh 100 Finisher, which has the same 399 x 698 mm footprint so that the printer can be stacked on top of it.

    Ricoh’s Ri100 – note the RH100 finishing unit underneath it.

    EFI Reggiani has developed a new six colour pigment ink with binder with CMYK plus red and blue for its printers, which are mainly used for home furnishing and fashion printing to materials with natural fibres such as cotton and linen. Giorgio Sala, EFI Reggiani’s ink application specialist, says: “We can eliminate the post treatment. In the drier we can fix the ink because the binder is inside the ink.” He adds: “The new ink is designed for Kyocera printheads, which all of our machines have, so we can use it with the existing machines.”

    Mimaki showed off a new version of the Tiger 1800, which was developed by its subsidiary La Meccanica and now gains a number of features typical to Mimaki printers, such as its MAPS nozzle redundancy technology as well as automated maintenance. It’s got Kyocera printheads, with the resolution raised from 600dpi to 1200 dpi.

    In conclusion, there’s a clear trend from this Fespa toward more industrialised printing for volume markets including display graphics as well as garments and home furnishings. There’s more automation, including the use of robots, as well as automatic maintenance to improve productivity, while at the same time most vendors have also improved image quality. The show itself felt extremely busy, with over 20000 visitors crammed into the halls over four days, proof that the market for wide format technology shows no sign of slowing down.

    Next year’s Fespa show takes place in Munich, Germany, from 14 – 17th May.

  • Océ Colorado set to pop up in Brisbane

    The Océ Colorado 1640.

    Océ’s Colorado 1640 UVgel wide-format printer will kick off its Australian tour in Brisbane next month with a pop-up showroom, which will give potential customers the opportunity to see the machine in action.

    The showroom will feature Océ product and technical specialists putting the wide-format printer through its paces. According to Jane Cox, business development manager for graphic arts at Océ Australia, the event is designed to show off the Colorado 1640 at a time that suits customers. “We know how hard it is for people to make time in their schedules to investigate new technologies at a corporate head office or showroom, so rather than expect the market to come to us, we’ve decided to bring the showroom and applications to the market in a convenient, interesting and fun way,” she said.

    Billed as a ‘Latex killer’, the 64-inch Colorado is Océ’s first machine to use UVgel technology, and won a Print21 Hot Pick at PacPrint last year. “We can talk about the Colorado all day and tell you why we believe UVgel is the future of print, but it’s not until you see it in action that you really appreciate the advantages it can offer,” said Cox.

    “The Pop Up Showroom gives you the opportunity to produce a range of applications produced on the Colorado, customised to your requests, so you can see for yourself the quality and versatility it offers. We will have our local team on hand to walk you through the process, break down the impact of the technology and crunch the numbers, to see how it can revolutionise your business.”

    The pop-up showroom will be in Brisbane from July 16-27, and reservations are essential. For more information, contact jane.cox@oce.com.

  • DES sharpens focus on green credentials

    Fresh from gaining the Seiko SII ColorPainter M-64 wide format printer agency, DES is burnishing its environmental commitment with a ‘green’ refresh across its entire product portfolio.

    “In this day and age, very customer is looking for the best environmental outcome and we, as a supplier, are focused on delivering the most sustainable, cost-effective solutions to meet that requirement,” said Ian Clare, Managing Director. “DES intends to be known as one of the country’s leaders in the supply of ecologically sustainable products.”

    “Operating in a sustainable manner makes good business sense,” Ian Clare (pictured).

    The message is backed up by Russell Cavenagh, Sales Director of DES, who points to the acceptance of Seiko Instruments’ SX ink into the Nordic Ecolabel product list. “The confirmation that the eco solvent SX ink meets the highest environmental standards, in addition to its wide colour gamut and outdoor durability, is a testament to the SI market leading technology.

    “It is an example of how DES is seeking to deliver only the best envirnmental products to the industry.”
    The SX ink, which is used in the SII ColorPainter M-64s, was approved as meeting the chemical requirements of Nordic Ecolabel for printing companies. The Nordic Ecolabel, also known as Nordic Swan, is a comprehensive Scandinavian Ecolabel that, for more than 25 years, sets the highest environmental standards for products and services.

    The attainment of the Nordic Ecolabel requires an assessment of the ecological footprint of each product. Accordingly, the eco solvent SX ink from Seiko Instruments, by meeting the stringent Nordic Ecolabel criteria has been shown to be ecologically sustainable.

    “It shows that the that eco solvent SX ink not only meets the highest environmental standards, but is also recognised for its wide colour gamut and outdoor durability. The listing is a testament to the SI market leading technology.

     

     

  • Winds of change – August 2013

    Mimaki Australia has appointed Brad Creighton as its new sales and marketing manager

    Brad Creighton joins Mimaki’s newly formed Australian subsidiary overseeing the national distribution of Mimaki products through a countrywide dealer network.

    Creighton has been in the industry for some twenty years, having spent ten of them with DGS supporting Mimaki products across the country.

    “I’m thrilled to be joining Mimaki Australia. One of the main lessons I have taken from twenty years in the graphic, sign, and display industry is the constant evolution of technology in which Mimaki has been an industry leader.” Creighton said. 

    He said, “Manufacturing products in various fields is no mean feat, but when these products change the way businesses think, produce and deliver, now that’s something special. Mimaki are changing industry attitudes about producing graphics.”

    Hiroshi Okino, managing director of Mimaki welcomed Creighton as it new sales and marketing manager of Australia. He said “I believe that Brad will bring with him a great understanding of the Australian market when he joins our existing team of experienced representatives to support Mimaki customers.”

    Creighton said he is extremely excited about the opportunity to offer continued support for Mimaki customers and resellers.

    Mimaki Australia headquarters in Rydalmere are currently being refurbished. In the meantime they are located in temporary offices in North Ryde.

    The refurbished facility will have a new showroom displaying up to ten Mimaki products.

    “Forward planning is vital as we travel up the sales and service rollout strategy curve.” Brad said “Bigger premises are part of a strategy that will see our staff level grow from the current six to over a dozen in a few months time.” Creighton concluded.

  • Local wide format sector gets outdoor industry boost

    The local wide format printing sector is riding high off the back of two consecutive quarters of strong growth from the Australian out-of-home industry. 

    The signage and outdoor advertising industry recorded 5.2 per cent growth for the year’s second quarter compared to the previous year along with AU$6.5 million increase in revenue, to $126.5 million.

    The second quarter boost follows hot on the heels of the industry’s first quarter increase of 3.8 per cent, with sales revenue increasing to $122.1 million from the previous year’s first quarter result of $117.6 million.

    According to the Outdoor Media Association (OMA), year to date revenue for the industry has increased by 4 per cent, tracking at $248.7 million, up from $239 million for the same time last year.

    For Charmaine Moldrich (pictured), CEO of the Outdoor Media Association, the continued growth in the out-of-home (OOH) reflects its ongoing relevance in the increasingly digital multichannel marketing mix.

    “The OOH industry continues to remain at the competitive forefront of today’s changing media landscape by understanding its audiences, embracing technology, being a responsible community player, and showcasing the medium’s unlimited creative potential,” said Moldrich, “People are spending a greater amount of time outdoors, shopping and commuting, solidifying OOH as the last true broadcast medium in today’s fragmented media market.”

    In April, the OMA reported the industry’s first quarter growth at 3.8 per cent on the previous year’s results, with the yearly results from 2012 representing two per cent growth on the previous year, recording over $500 million in revenue for the 12-month period.

    “Growth in the first quarter is a reflection of the industry’s ability to weather the vagaries of the market. OOH continues to maintain its position as a channel that is in a space of its own, growing while other mainstream media channels are being challenged,” said Moldrih in April.

    The industry’s category figures for the 2013 second quarter includes ‘roadside billboards’ (over and under 25 square metres) at $39.8 million, ‘roadside other’ (street furniture, taxis, bus/tram externals, small format) with $45.1 million, ‘transport’ (including airports) at $21.1 million and ‘retail’ recording $20.5 million. 

    The OMA’s continued out-of-home growth result come as trans-Tasman media giant, APN, looks at selling off its lucrative Outdoor Media business, with the company considering a major restructure that could see it sell out of its Adshel and other outdoor advertising divisions in exchange for full control over its radio business.

  • APN looks at offloading outdoor media

    APN News & Media may trade in its outdoor media stake in the local market in exchange for greater radio reach, with the company considering selling off its half-share in its outdoor advertising business in a bid to pay down debt.

    According to a report in The Australian Financial Review this week, the trans-Tasman media company is looking at a major restructure that could see it sell out of its Adshel and other outdoor advertising divisions in exchange for full control over its radio business.

    The move, which is one of several options being considered by APN’s new chief executive Michael Miller (pictured), is likely to see the company’s extensive print portfolio lose much of its large format production footprint.

    The company has been at pains to reduce its debt levels since February’s boardroom battle, which saw the sudden resignation of former CEO, Brett Chenoweth and former chairman, Peter Hunt along with five other directors.

    In late February, the company told investors it would continue with its debt reduction strategy by selling off assets. In a statement to shareholders, the company said:

    APN will reduce debt by a further $40-50 million in 2013. This will be delivered by organic earnings including the cost reduction program in publishing, as well as small asset and property sales.

    The company reduced its debt by $180m during 2012. This was achieved through asset sales, the formation of the APN Outdoor joint venture and a focus on cash management. Reducing APN’s debt levels is an ongoing objective.

    The announcement followed moves to reclaim cash with the proposed sell-off of its Christchurch, Oamaru and Wellington publishing businesses in NZ.

    In its financial year presentation to shareholders, the company said it would continue with its program in the NZ Media business, which included the proposed consolidation of printing operations to a single company owned plant.

    Earlier this year, the company posted a net loss of A$-456 million for the financial year ending 2012, a 13 per cent slump in revenue from the previous year.

    Although APN is considering offloading its outdoor media business – and large format printing capacity along with it – the company’s new chairman, Peter Cosgrove, is backing print.

    In April, he told investors that, despite poor results from its print media divisions, the company remained committed to its print media.

    In a statement, he said:

    “APN believes there is a strong future in regional newspapers to provide local news to local communities and our strategy will be clearly focused on meeting this need for our readers and advertisers.”