Sabre cuts through with two new Epson SureColors
Sabre Graphics is installing a pair of new Epson SureColor 80600s on the back of major new contract wins with multiple high-end international retail brands.
The prints generated from Sabre’s new Epson SureColor S80600 printers will provide indoor and outdoor graphics and signage for windows; awnings; the tops and sides of buildings; lightboxes; and other works, in a variety of environments including commercial office and retail fit-outs.
Peter Briard, general manager at Sabre Graphics said, “After Sabre secured the contracts, the main requirement our new clients had was that their brands’ colour profiling and colour management on all printable roll-to-roll media was not to be compromised in any way. It had to be of the highest quality. It became an easy choice for Sabre to purchase the Epson SC-S80600 printers as they were the best fit for our customers’ needs, offering a superior print and more consistent quality. They are also easy to operate and maintain.”
In the increasingly competitive signage and printing world, cost efficiency and workflow reliability have never been more important, with Briard adding, “The SC-S80600 printers offered low ink costs, allowing us to provide competitive pricing to our clients. They also have special functions like remote status and error reports and attachments like auto take-up and drying units. These attachments were a mandatory purchase as they increase the machines’ run speeds, whilst still maintaining the superior print quality – saving everyone involved time and money.”
Briard continued, “These additional features enable us to work remotely, whilst issuing reports advising the printers’ status. This, in turn, further enables us to print around the clock and guarantees our installers will receive the prints and install them on time for our clients’ launch dates.”
“Absolutely critical are the SureColor S80600’s low ink costs and the one-year warranty, with the option to extend to five years.”
Sabre is based in Caringbah, NSW, with Ryan Collins as its director.